Saturday, December 19, 2009

Year-End Music Review: The Albums

john walker | 12:39 PM | Be the first to comment!


I started this quest for a musical genre with the album as the most basic unit of musical biology in mind. This post, the "album-of-the-year" post, is exactly what I had in mind last January.



As the year took shape, though, and my musical discovery habits evolved, the album became less and less prominent. When you're looking for music all the time, starting from the assumption that you know nothing and seeking to discover new artists, then you don't spend very long on any one album. Instead, you obtain the album, stash it away, and move on to finding more.



There were a few albums, though, that I came back to throughout the year. At pretty much any point, I could put one of these albums on and listen to it from beginning to end without feeling compelled to skip anything.



Another way of putting it is to say that I would buy these albums and pay full price for them, and I would recommend anyone do likewise. And when these artists put out their next album(s), I will most likely buy them before hearing them.



These albums paint a picture of a music listener drawn to the reliable conventions of pop music. That recognition disappoints me, even though these albums stand on their own and, in some cases, can't be confined to any one genre.



My albums-of-the-year list is what it is. I think this project, rather than creating new musical tastes and sensitivities, simply brought what was already there out into the light. And I'm fine with that.



It's interesting to me to note that only three of these albums contain a song that made my "songs-of-the-year" list. In the case of "Middle Cyclone," "Love at The End of The World," "Road To My Love," "Time to Die," and "Adult Nights," the total package is greater than any one of its components. And that's an achievement in itself.



Listen to these albums. Add them to your collection. They're good.
Read more ...

Friday, December 18, 2009

Year-End Music Review: The Songs

john walker | 7:49 AM | Be the first to comment!
My quest for a genre nearly ran aground in the last quarter of the year. Family and work responsibilities mounted, and, frankly, I started to question the maturity of such an endeavor. I have satisfied myself on the latter point. Enough said.

Yet a certain fatigue set in as well, owing to the sheer volume of content that comes out every week (always on Tuesday). The online media landscape allows a neophyte like myself to sit in the presence of indie music's high priests, but nothing can replace time and experience as the arbiters of quality in music. My blunt tastes are being formed every day.

I plan a couple more year-end posts, lifting up the albums I liked the best and the blogs I used to find them. I'd also like to share some thoughts about the vehicles I have used to acquire music, since what I'm using today is not what I started with, and may not be what I use six months from now.

But without belaboring the point, here is a random collection of the songs I discovered in 2009 that I listened to the most, shared the most, and sit atop my playlists entering 2010. To qualify, a song on this list has to have been sought out for its own sake repeatedly during the year.

This is no countdown; more like a cloud. A cloud of musical goodness. What it says about me and my genre I can't say. Maybe you can.

Read more ...

Thursday, December 10, 2009

Cutting HIs Losses

john walker | 11:26 AM | Be the first to comment!
Last November I defended Royals' General Manager Dayton Moore in his acquisition of Mike Jacobs, a move roundly panned by baseball writers reputable and obscure alike. "Dayton Moore isn't stupid," I scolded. While I stand by that assertion today, I also am forced to acknowledge that those writers aren't stupid either. The Jacobs trade clearly stands out as the worst move Moore has made since taking over as GM in June of 2006. Anyone could have seen this as early as May of last season.

Including Dayton Moore.

So now the Royals have released him. Unconditionally.

Thankfully, his contract was only for one year, so it's off the books. But that's little consolation to Royals fans who watched a Leo Nunez-less bullpen give away 7th and 8th inning leads all summer while Nunez (Jacobs' trade opposite) racked up 27 saves for the Marlins.

I'll still defend the trade on the grounds that Moore was trying to inject some power into a woefully weak major league lineup, and Jacobs appeared, if not an unlikely contributor, a potential one. Moore's behavior this off season indicates that he's given up on the major league roster; he knows it's going to be awful in 2010, and he's willing to take his lumps in exchange for amateur players filed away in the minors (see the team's acquisition of 19 year-old Cuban defector Noel Arguelles).

Moore is entering his fourth full season as a major league GM. I'm comfortable with acknowledging that he's still learning the job. It's an impossible balance, with a small market team like the Royals, between cultivating a healthy long-term farm system that won't produce big league results for three-to-five years down the line and actually improving the big league roster. I think last year showed Moore that the worst of the best free agents available in any off-season are still worse that the best of the worst players in the farm system.
Read more ...

Thursday, December 3, 2009

Rushkoff on Tiger

john walker | 7:53 AM | Be the first to comment!
In the latest Daily Beast:
in spite of our increasing familiarity and comfort with the Internet, most of us still have pitifully little idea of the fossil record of data we leave trailing behind us every day, all the time. Until, of course, it is too late.
Read the whole piece here.
Read more ...

Thursday, August 13, 2009

Stop Building Fences

john walker | 10:36 AM | Be the first to comment!
Below is the copy of a letter I sent to Senators Feinstein and Boxer regarding their recent "aye" vote on the question of 700 miles of new reinforced fencing along the U.S./Mexico border.


Dear Senator Feinstein/Boxer,

You recently voted in the affirmative for an amendment to H.R. 2892 requiring the completion of at least 700 miles of reinforced fence along the southwest border before December 31, 2010. I am writing to express my disappointment at your vote and to urge you to reconsider your stance on the question of border fencing.

Having recently returned from a church youth group trip to Tucson, AZ and Nogales, Mexico, I have personally seen the blight that these walls are to the landscape. The Sierra Club Borderlands Campaign has thoroughly documented the damaging effect of border wall on animal species, vegetation, and community infrastructure. Lengths of border wall are ugly and damaging to the otherwise picturesque landscape of the American southwest.

Furthermore, these walls are ineffective. One Border Patrol spokesperson has referred to them as "Speed bumps in the desert." Professor Wayne Cornelius of the University of California San Diego studied the efficacy of border walls for over a decade and concluded: "the border enforcement build-up seems to have made no appreciable difference in terms of migrants’ ability to enter the United States clandestinely.”

I urge you to reconsider your support of new lengths of border fence. While supporting these new additions helps classify a legislator as "tough on security," the evidence shows that this is not a security issue; you won't find a single Border Patrol agent who has apprehended someone with terrorist intentions. The high price of these fences make their construction, while lucrative for contractors, devastating and irresponsible for the federal government, especially in a time of financial crisis, when health care providers, schools, and other essential social institutions are suffering from a lack of funds. Please reconsider how you vote on this issue, and vote "nay" on any new border fences.

Sincerely,
Not Prince Hamlet




Read more ...

Wednesday, August 12, 2009

Album of the Year Nominee: Eulogies, "Here Anonymous"

john walker | 3:34 PM | Be the first to comment!
This discovery came through KCRW. I heard "Day to Day" on the radio in my car and later found the cd in the great used record shop in town for $7. "Here Anonymous" is the first Album of the Year nominee to be procured via hard copy, ie on an actual disc and not an mp3 download.

Here's "Day to Day":

Read more ...

Tuesday, August 11, 2009

Album of the Year Nominee: Phoenix, "Wolfgang Amadeus Phoenix"

john walker | 3:47 PM | Be the first to comment!
"Do let do let do let jugulate do let do let do."

Listen to "Listzomania," the first track on French band "Phoenix's" new record "Wolfgang Amadeus Phoenix," and that little bit of jibberish will rattle around your head for days. And days.

This record has caught everyone's attention. To be honest, I can't recall where it first caught mine. My best guess is Lala.

And you will love it.

Read more ...

Monday, August 10, 2009

Album of the Year Nominee: Wild Light, "Adult Nights"

john walker | 12:18 PM | Be the first to comment!
The title is terrible, but the record, released much earlier this year, is terrific. It's indie-pop at its most buoyant. Track after track float atop catchy melodies and downright earnest vocals.

I discovered "Adult Nights" through a PopMatters review that hailed it as the absolute pinnacle of "indie pop." I knew after one listen that it would be there at the end of the year, and I've given it several months to disappoint me; it hasn't.

Warning: track one is a crazy obscene rant against the state in which I currently live.

Try "Heart Attack" on for size:
Read more ...

Thursday, July 30, 2009

Album of the Year Nominee: We Were Promised Jetpacks, "These Four Walls"

john walker | 3:46 PM | Be the first to comment!
So good it hurts. Would the vocals be as good without the accent? Discuss.

Read more ...

Monday, July 27, 2009

Douglas Rushkoff Life Inc., Dispatch X: "Life on a Monopoly Board"

john walker | 4:26 PM | Be the first to comment!
There seems not to be a dispatch IX.

Life Inc. Dispatch 10: Life on a Monopoly Board from Douglas Rushkoff on Vimeo.

Read more ...

Album of the Year Nominee: Telekinesis, "Telekinesis!"

john walker | 3:17 PM | Be the first to comment!
I'm sorry to say I've forgotten where I found this record. It was back in March, and I immediately started recommending it to people. It's breezy pop performed by a band with a lead singer who doubles as the drummer. That's just cool. Seriously, it's a combination of fun and feeling that's rare to come by. Enjoy.

Read more ...

Sunday, July 26, 2009

Album of the Year Nominee: Freddy and Francine, "The Briar Patch"

john walker | 12:12 AM | Be the first to comment!
Hat tip to KCRW's Today's Top Tune Podcast for this discovery. I bought it on Lala over a month ago and listened to it several times that first week. Then it sat quietly in the queue until this past week when, while driving to Santa Barbara and to San Diego with international pals, we all discovered that it's great road trip music.

Here's a video of the first track from the album, "Brownstone Alley" as performed by some dancers in Brooklyn.



It's simply excellent vocal music. The songs are simple and solid, and they're sung wonderfully. Here's the entire album:

Read more ...

Thursday, July 16, 2009

Rushkoff on Colbert Report

john walker | 4:09 PM | Be the first to comment!
Here's last night's Colbert Report interview with Douglas Rushkoff. His answer to Colbert's first question is such a sledgehammer that it draws applause from the audience. Bang!



The Colbert ReportMon - Thurs 11:30pm / 10:30c
Douglas Rushkoff
www.colbertnation.com
Colbert Report Full EpisodesPolitical HumorJeff Goldblum
Read more ...

Monday, July 13, 2009

Douglas Rushkoff Life Inc., Dispatch VIII

john walker | 10:09 AM | Be the first to comment!
"The beauty and the horror of capitalism is that what it's here for is to make money by having money."

Life Inc. Dispatch 08: Capitalism, for Dummies from Douglas Rushkoff on Vimeo.

Read more ...

Tuesday, July 7, 2009

Douglas Rushkoff Life Inc., Dispatch VII

john walker | 6:59 AM | Be the first to comment!
"We can engage with one another in ways that have been systematically removed from the equation. We will make less money in the process, but we will also spend less money in the process. And I promise you it's more fun."

Life Inc. Dispatch 07: Less is More from Douglas Rushkoff on Vimeo.

Read more ...

Thursday, July 2, 2009

Album of the Year & Song of the Year, parsed

john walker | 9:45 PM | | Be the first to comment!
Everybody does this, right? Ranks, classifies, lists. Especially when it comes to music, everybody has their favorites and rates them in relation to everything else.

I do too, but my musical favorites have a pattern of all falling into place in the last week of December and the first weeks of January. If you're not familiar, that means that they come together as a result of reading everybody else's year-end best-of lists, acquiring those titles, and then forming opinions on them. It is the definition of reactive.

This year I decided to try an experiment. This year, instead of sitting around and waiting for the New Year's holiday to find the year's best music, I would find it myself. That is, I would spend all of 2009 discovering, purchasing (more on that in a moment), and sharing music.

**The insistence upon purchasing music came from the crash of my hard drive near the end of December, which resulted in the loss of lots and lots of music files. No bother, though: I hadn't paid a penny for any of those files. They were either "shared" with me through a File Transfer Protocol set up for like-minded musical friends or they were acquired through The Pirate Bay. What ended up bothering me about losing all that music, ironically, is that it didn't bother me. I hadn't invested anything in those songs and albums, and they could easily be replaced. But why spend the time and effort replacing them if they're not worth any actual investment to begin with? It was the realization that I was a lazy music fan that brought me to Jesus, as it were, in terms of quitting the file sharing. I don't want to waste time on music that could either come or go; if I lose it, I want to be upset about it.

That's the point of these "Album of the Year" posts. Something has happened halfway through the experiment that I didn't expect, though. I'm starting to become more discerning in terms of genres and the types of music I like, take it or leave it. I'm coming to the place where I can acknowledge that I have suburban top 40-bred musical receptors that make me susceptible to pop hooks. I used to be embarrassed about that, like if only I could learn to like Wilco I'd be a better person. But Wilco bores me, and I'm not afraid to admit that anymore.

But I am discovering affinities for things I didn't like before and waning patience for things I used to love. The solo soulful male vocal backed by acoustic guitars and sparing percussion, which used to inspire hours of shower singing, has come to seem thin (my apologies to Jamie Cullen and Dave Matthews).

Meanwhile, I'm participating in the emerging infrastructure of recorded music production, marketing, and sales, all of which, thanks to the internet, is driven largely by an ethic of sharing. As I identify records worthy of superlative consideration, I'm noting where I found them, because that's really what makes the effort worth it.

Thanks for reading. Watch for nominees soon.

Read more ...

Tuesday, June 30, 2009

Album of the Year Nominee: The Lonely Forest, "We Sing the Body Electric"

john walker | 9:41 PM | Be the first to comment!
h/t to Indie Rock Cafe for this gem of a discovery, a complicated and exciting rock record. At this stage in my odyssey of musical exploration and investment, The Lonely Forest's "We Sing the Body Electric" is a shot in the arm.

Hear the whole record here, and see if the harmonies don't pull you under.
Read more ...

Wednesday, June 24, 2009

Douglas Rushkoff Life Inc., Dispatch VI

john walker | 3:35 PM | Be the first to comment!
"If you want a really free market, then we should be able to have not just one government-mandated currency."

Life Inc. Dispatch 06: Why Corporations Hate the Free Market from Douglas Rushkoff on Vimeo.

Read more ...

Douglas Rushkoff Life Inc., Dispatch V

john walker | 3:28 PM | Be the first to comment!
"Even the spiritual people among us talk about 'self actualization' as if that's the highest thing a person can attain."

"If people are cooperating and collaborating, it's not good for the economy. People who are sharing stuff buy less stuff. If people buy less stuff, that's bad for the GNP."

Life Inc. Dispatch 05: Markets Love Selfish People from Douglas Rushkoff on Vimeo.

Read more ...

Album of the Year Nominee: The Low Anthem, "Oh My God, Charlie Darwin"

john walker | 8:28 AM | Be the first to comment!
This is a new discovery for me, a Brown University-educated folk outfit that moves effortlessly between dulcet and demonstrative (take that, Ivy League!).

First, the dulcet:


And then the demonstrative:
Read more ...

Monday, June 15, 2009

Douglas Rushkoff on WNYC with Brian Lehrer

john walker | 2:27 PM | Be the first to comment!


This is apropo, because one of the founding anecdotes of Life, Inc. is Rushkoff's mugging in 2007. When he started getting pushback for talking about it from his neighbors concerned about their property values, he went on Lehrer's show.

Here's that interview, from January of 2007.
Read more ...

Douglas Rushkoff Life Inc., Dispatch IV

john walker | 2:23 PM | Be the first to comment!
Read more ...

Wednesday, June 10, 2009

IdolCritics: Follow Up

john walker | 11:12 AM | Be the first to comment!
Iraheta has a record deal. With 19 Entertainment. Just like Kris Allen. And Adam Lambert. And David Archuleta. And Jordin Sparks.

Iraheta grew to be my favorite this season, and the pop music recording landscape will be better for her company. But my expectations are modest; it is, after all, 19.
Read more ...

Tuesday, June 9, 2009

Service as A Religious Product

john walker | 6:44 AM | Be the first to comment!
Mara Einstein points to an Ad Age piece (subscription required) about the marketing of religion (in which she is quoted) and suggests that, "Churches are starting to realize that they need to take ownership of those things that make them different."

She asks: "What can a church give people that the consumer culture can not?"

Her answer? Service.

Men and women in a consumer culture are looking for chances to serve and to learn how to serve well and (this is key) effectively.

Here's the thing: brands are beating religion to the punch on service.
Churches need to jump on this idea because brand companies have been co-opting this attribute at an increasing rate. Whether it’s Product (RED) (buy a t-shirt and you help people dying of AIDS in Africa) or Nike’s Human Race (run a race and money goes to one of three charities of your choice) or hundreds of other “buy-a-product-help-the-world” campaigns, branding companies are monopolizing social causes and religious institutions are going to find themselves left out in the cold.
Does it have to be so either/or? Can churches not look for ways to participate in these opportunities for service that brands are offering consumers, ways to direct people toward them?

At the same time, don't churches need to be able to critique the practices of the corporate entities that are offering service as a product? So Starbucks offers a Product (Red) coffee card and Nike sponsors runs for charity causes: that in itself is marketing. Those brands understand their consumers, and identifying with a social cause ingratiates the consumer to the brand. That's why the brand does it.

That's not why the church does it. Churches don't build Habitat houses and run soup kitchens to build loyalty to their brand. They do it because they're supposed to, because they are the guardians of a deeper truth, that life isn't really life if it's only lived for oneself. That's something the church can offer a consumer culture.

Turning service into a consumer commodity is a backwards way of addressing social problems that seeks to capitalize for good on the consumer habits of a people who know how to consume more than they know how to do anything else. But the tactic doesn't teach them to live differently. That's what churches can do.
Read more ...

Monday, June 1, 2009

Douglas Rushkoff Life Inc. Dispatch I

john walker | 3:12 PM | Be the first to comment!
Get this book. Watch these dispatches. Be the change.

"The object of the game is not to create another big entitity that's going to take down those big entities, but to get off that landscape altogether and start engaging with one another in small ways."

Life Inc. Dispatch 01: Crisis as Opportunity from Douglas Rushkoff on Vimeo.

Read more ...

Thursday, May 28, 2009

IdolCritics (The Offseason III)

john walker | 12:33 PM | Be the first to comment!
The LA Times Idol blog put the AT&T flap into some perspective:
According to a network spokeswoman, more than 100 million votes were received after the May 19 final performance between Allen and Lambert. Even if the AT&T workers passed out 1,000 phones -- the company said it was "a small number" of devices, without offering specifics -- and coached each user to text 100 votes, that would add up to only 100,000 votes, or less than one-tenth of 1% of the votes cast.
But a commenter asks a fair question:

Why does this article figure that one person could have texted a maximum of 100 votes on finale night?

Voting was open for four hours after the show.

Someone with a phone with free service, sending 10 texts at a time, could have send thousands of texts over those four hours.

Another commenter really gets into the math:

Sending out 10 at a time? You could do that in five minutes. I have an iPhone, which does not do blanket texts (that I've been able to figure out). It takes less than five seconds to send a text, times four hours, times 10. I'm no math whiz, but I have a calculator. At five seconds per text, that's 12 per minute, times 60 = 720 per hour, x 4 = 2,880 per four hours, x 10 = 28,800. Going at a moderate pace, one person could easily send 30,000 votes.

Read more ...

IdolCritics (The Offseason II)

john walker | 12:27 PM | Be the first to comment!
How this is helpful I don't know.
At the Peabody [Arkansas] watch party, Bobbie Kierna of Greenbrier voted 10,840 times on one of the phones provided by AT&T at a roped-off area with signs advertising it as a "Texting Zone." She said she stayed until 11:48 p.m. to vote for Allen, who was in school with her daughter at the University of Central Arkansas
Read more ...

IdolCritics (the Offseason)

john walker | 12:21 PM | Be the first to comment!
This was bound to happen. I think we all assumed the execs at Fox or 19 Entertainment would be outed, not one of the corporate sponsors. From the Times story:
Representatives of AT&T, whose mobile phone network is the only one that can be used to cast “American Idol” votes via text message, provided the free text-messaging services at two parties in Arkansas after the final performance episode of “American Idol” last week, according to the company and people at the events.
Oops.
Read more ...

Thursday, May 21, 2009

john walker | 12:17 PM | Be the first to comment!
I'm happier for an Allen victory than I would have been for Lambert, but I've soured a bit on the Idol franchise after this go 'round. Has it jumped the shark?
Read more ...

Monday, May 18, 2009

Wednesday, May 13, 2009

john walker | 3:39 PM | Be the first to comment!
Kris Allen's "Heartless'' is the best thing to happen on Idol since David Cook rocked Mariah Carey. If he's not in the finale it won't be worth watching.
Read more ...

Monday, May 11, 2009

Life Inc. (The Movie)

john walker | 9:59 AM | Be the first to comment!
Douglas Rushkoff's latest book is preceded by a nine-minute film. Great stuff.





Read more ...

Sunday, May 10, 2009

john walker | 6:58 PM | Be the first to comment!
Lambert got an Entertainment Weekly cover? Does he even need to win now?
Read more ...

Wednesday, May 6, 2009

john walker | 10:48 PM | Be the first to comment!
IdolCritics results: Iraheta's out and I'm done. It's been fun, kinda
Read more ...

Technology Is Not The Problem

john walker | 9:52 AM | Be the first to comment!
Steve Lopez of the LA Times checks in on the students of the California Academy for Liberal Studies Early College High School in downtown Los Angeles as they languish in the desert of a seven day teacher-enforced media fast. Deprived of their phones and iPods for a whole week and writing about it ("With pen and paper"), these high schoolers hear birds singing and devour actual books and reconnect in face-to-face interactions with family and friends. It's beautiful.

Except, I'm not buying it.

It's far too simple to assert, as this experiment and countless rants about "kids these days" do, that the media and technology are the problem, and that if you only remove that the kids will be alright. The Sidekicks and iPods connect kids to one anothter in ways that seem meaningless and shallow to adults but that to the kids themselves, I'm persuaded, are actually quite meaningful.

The technology ain't the enemy.
Read more ...

Tuesday, May 5, 2009

john walker | 10:56 PM | Be the first to comment!
Gokey should go. Top three: Iraheta, Allen, Lambert. I'd love to see Lambert get sent
Read more ...
john walker | 10:54 PM | Be the first to comment!
Cowell: "[Lambert] may have given this one (Iraheta) a chance of staying in this competition.'' You're not even trying to hide it anymore
Read more ...
john walker | 10:50 PM | Be the first to comment!
This Iraheta/Lambert duet totally shows her to be the more interesting performer
Read more ...
john walker | 10:48 PM | Be the first to comment!
Paula rallies the crowd for Gokey and Cowell declares he'll be safe. They're so bagging for a Gokey/Lambert finale
Read more ...
john walker | 10:45 PM | Be the first to comment!
The scream: what the he** just happened? That was horrendous!
Read more ...
john walker | 10:44 PM | Be the first to comment!
Gokey is weak. Gokey's a rocker like I'm a surfer.
Read more ...
john walker | 10:43 PM | Be the first to comment!
For Gokey, the scream is operative. That can't be good. The judges love him though
Read more ...
john walker | 10:41 PM | Be the first to comment!
Cowell's championing Lambert during Allen's critique is so unprofessional.
Read more ...
john walker | 10:40 PM | Be the first to comment!
Kara: you're a tool of the Producers. You're useless.
Read more ...
john walker | 10:38 PM | Be the first to comment!
Allen is better than Lambert. Take that.
Read more ...
john walker | 10:37 PM | Be the first to comment!
Allen rockin' the electric guitar is almost convincing
Read more ...
john walker | 10:35 PM | Be the first to comment!
Isn't it a disadvantage to have to sing a solo that counts after a duet that doesn't?
Read more ...
john walker | 10:32 PM | Be the first to comment!
The Gokey/Allen duet is really, really bad. What's the point of this?
Read more ...
john walker | 10:31 PM | Be the first to comment!
Gokey in glasses kind of ruins "rock week,'' doesn't it?
Read more ...
john walker | 10:30 PM | Be the first to comment!
Alison: fighting with the judges is always a bad idea. Not tonight, though: you go girl!
Read more ...
john walker | 10:28 PM | Be the first to comment!
A biopic on Janice Joplin? Do you not watch 30 Rock?
Read more ...
john walker | 10:26 PM | Be the first to comment!
Iraheta: the only Idol I recognize. She has depth and nuance that Lambert's screaming can't fathom
Read more ...
john walker | 10:22 PM | Be the first to comment!
Cowell: "nobody can top [Lambert].'' This thing is so fixed
Read more ...
john walker | 10:21 PM | Be the first to comment!
Kara: calling Lambert a "Rock God'' makes you look stupid stupid stupid
Read more ...
john walker | 10:19 PM | Be the first to comment!
Nope: right down the middle and solid as a Fender
Read more ...
john walker | 10:17 PM | Be the first to comment!
I'm afraid Lambert's gonna overdo it
Read more ...
john walker | 10:16 PM | Be the first to comment!
Slash on American Idol: is nothing sacred?
Read more ...
john walker | 10:14 PM | Be the first to comment!
Duets are a bad idea
Read more ...
john walker | 10:12 PM | Be the first to comment!
IdolCritics (top 4) mobile blogging: is the collapsed tower a ratings grab?
Read more ...

Tuesday, April 28, 2009

IdolCritics, Top 5

john walker | 8:18 PM | Be the first to comment!
From NPH: Kris Allen says he can't match up vocally with anyone else left. He's right, although his performance of "The Way You Look Tonight" challenges the assertion. He looks goofy in a suit, though, for real. Randy loves it ("Mad nice vocals"). Kara loves it. Paula loves Kris. Simon's not as enthusiastic, since it was "a little bit wet." Beautiful. Seriously, this is what Allen needs to ride as far as he can: guitar-less ballads that left him plant his feet at a mic and make goofy faces.

Iraheta, who is as hampered more than the others by this genre, is my favorite to make it to the final. She comes out all Michelle Pfeiffer in "The Fabulous Baker Boys" and absolutely crushes "Someone To Watch Over Me." She's it, boys. She's totally it.  Kara places her in the finals based on this performance, saying, "If that doesn't land you in the finals, I don't know what will." Welcome to the party Kara. Simon predicts she could be in trouble based on her lack of demonstrated confidence. I hate the comment, 'cause Simon's crazy-like-a-fox smart. 

Giraud went to Western Michigan University. So did The Roller's and my classmate. Huh. Dude needs to lose the hat, and his rendition of "My Funny Valentine" is bland, compared to what Iraheta just did. I wasn't moved. Neither were Randy or Kara. Paula liked that he took Jamie Foxx's advice (thanks Paula), and Simon throws his lot in with the crowd, who love him. He praises him for his "believability" and "authenticity."

Sidebar: can we be done with this insistence upon "authenticity?" What ever happened to the virtues of performers performing? When did it become necessary for a singer to be a lovable, believable, cuddly persona? I blame Kara for most of this verbiage, which I think has confused the contestants and single-handedly let to the demise of Lil Rounds. It's not constructive. It's not specific. It's sentimental and lame and all wet. 

Next we see Taylor Hicks--er, Danny Gokey. He's boring. So far, the worst. He hits soaring full-voiced high notes and I couldn't care less. I'm ready for the Gokey parade to be over. Randy loves it though and thinks Gokey could make a record like this right now. Kara gushes over his "swaggah," Paula calls it "stellar," and Simon holds him up as the exemplar of confidence. Gokey looks on with his smarmy smile all the while. I'm not buyin' it. 

And now the conspiracy has to advance, 'cause Lambert's in the sweet spot again, singing right at the end. That's the choice slot, and he's had it several times already. I expect nothing but salivating, gushing, coronating love from the judges. Jamie Foxx love him, for what that's worth. And, um, the high note he hits at the end is an absolute show-stopper. Kara and Paula are stupid beside themselves and can't complete a sentence in praise of the Wicked kid. I don't know, though; it feels like I've seen it already. 

Concluding thought: I'm more committed to Iraheta and less excited about Lambert now than ever. I just can't bring myself to root for Adam; he belongs in a different format, not begging for the praise of this half-baked panel. Iraheta I can root for. And so I will. 

Iraheta for Idol '09: the campaign has begun. 
Read more ...

Wednesday, April 22, 2009

IdolCritics, Top 7 (redux)

john walker | 9:59 AM | Be the first to comment!
From NPH: Leaving the unpleasantness of last week behind, we press on to second week of seven. Three things have I noted, which I will briefly expound.

First, the video intros are gone. Last week's attempt at getting the show done on time split the judging in half, so that each performer was critiqued by only two judges. That was stupid. Everyone knows that if you haven't got Cowell's reaction, you might as well not even perform. Cutting him out of half the contestants was a bad move.
So this week order is restored and all four judges get a crack at all seven contestants (and, speaking of "all four judges," I'm ready to say that the added judge experiment is an unqualified failure. Diaguardi isn't terrible, just redundant; much of what she says is a parrot of what the other judges have already said. The show simply seems too big for her. If the tabloids are to be believed that either Kara or Paula will be gone next season, then I don't think there's any question that Kara has to go; Paula may be loopy and unintelligible, but that's part of the show's appeal.).

Secondly, Lambert is ruining Idol. I think it seriously has to be asked whether or not a contestant can be too good for the show. I've already aired my suspicions about the heir apparent's devoted fan following--the judges--and last night's love-in after his very, very good version of "If I Can't Have You" only confirmed those suspicions. He is an exceptional singer and a polished, poised performer, but Idol isn't doing itself any favors when its judges slobber all over him. Honestly, the shots of misty-eyed Paula during Lambert's performance and Randy's declaration that he's "Ready right now!" gave me an eerie feeling that the reality TV heavyweight was jumping the shark. It's bad television: it squelches the sense of competition, and it diminishes the judges.

Finally, Lil Rounds is getting railroaded. For weeks now the judges have ridden her with complaints that they don't know who she is as an artist. They have gone on and on about the Memphis diva's failure to "be herself," while at the same time blasting her lack of creativity and originality. Last night even elicited a prediction from Cowell that she's done for. It's not without any warrant, this line of critique, but they've hammered it so hard for so long, and they seem incapable of saying anything good about Rounds' performances beyond "You look hot!" that it's starting to appear scripted. Her take last night on "I'm Every Woman" won't change the course of history, no, but it was a solid rehearsal of a disco classic. You get what you get when you come on Idol, and blistering criticism from the show's judges comes with the territory; but if there's demerits to be handed out for a lack of originality, then give them to Randy, Paula, Kara, and Simon--give them to Simon Fuller--for Idol's inability to say anything coherent about it's only R&B contestant.

I'll end with a version of power rankings from last night.
  1. Adam Lambert
  2. Alison Iraheta
  3. Danny Gokey
  4. Matt Giraud
  5. Kris Allen
  6. Lil Rounds
  7. Anoop Desai
Read more ...

Saturday, April 18, 2009

IdolCritics, Top 7 Results

john walker | 5:48 PM | Be the first to comment!

From The Producer: So I created a "results post" so you the reader do not have to scroll down through the endless ramblings of NPH's most boring and unoriginal friend "The Roller" who so eloquently told you I should enjoy my life as an ass last week for stating the truth in an original manner. Well Mr. Roller while I will take "not totally devoid of insight" as your pathetic attempt at acknowledging I know what the hell I'm talking about let me restate something: Please stop writing because you're just awful, boring, and unoriginal. For instance I loved how you tired to be edgy this week by talking about Giraud's head mole ... whoa ... so edgy. You're a hack and if you are going to keep writing could you please edit your post so when you say "bottom 3 and then list 4 contestants" realize you just look lame.

What a joke American Idol was this week. Giraud should be gone. He's a good karaoke singer and that's the extent of his talent. I'm sure he could move to Detroit and play piano at some upscale hotel bar for money. Get rid of Lil, Giraud, Anoop, and Kris so we can settle out who is the next American Idol.

NPH - The judges huddle up because they are on a ticking clock with a live television show. That is why they huddle up right at the end ... unless you're crazy and quack like a bird across the stage. Then you can just sing your swan song.

I want to comment on your post from a few days ago as I'm so glad you gave Susan Boyle some love on your blog. Susan is everything that is good with entertainment. While you can make an argument that pop culture loves Susan Boyle because YouTube has now posted that at least one video of her performance has been viewed over 27 million times. I'm not convinced America really does embrace this type of talent because as of right now with the dumbing down of everything to appease the masses of closed American minds we wrap everything up into nice, neat, sexy little packages so Target, Walmart, and Best Buy can entice you to buy a really sexy packaged piece of crap. What I hope will happen is that talent will again rise to the top in all areas of life. People like Susan Boyle should be cherished because God has given her the gift, talent, and joy to sing in front of people. It's the same feeling I get when I watch or listen to Paul Potts, Howard Stern, The Soup, Slumdog Millionaire, The Sopranos, and even Eastbound and Down. It's the same feeling I felt when Barak Obama was elected President of the United States of America. I pray for talent to rise to the top and become leaders because of true talent and not because someone is a "total package" based on smoke and mirrors. The point of reality television really should boil down to this:

Give common people who have common jobs an outlet and opportunity to show the world that God has in fact blessed them with a unique, beautiful, and stunning gift. Perhaps America could learn a thing or two from British Reality Television ... perhaps we too can embrace true talent in all walks of life and holding on to those ideals might just allow greatness to rise back to the top and lead America out of this cesspool filled with mediocre people mistaking a sense of entitlement for talent.

America ... let's find our talent.


FROM THE ROLLER: Wow. You, sir, are an idiot. I find it incredible that you spend your first paragraph telling me what an idiot I am... and then the rest of your article proving the same of yourself.

First off... I don't think that I have an editing problem. Perhaps you have trouble reading? I said the bottom three is "between" the four contestants I listed. That means, in case you were wondering, that I thought it would be three of the four. Which it was, I believe.

Secondly, and most importantly, I appreciated your commentary on Susan Boyle and how her ascendancy to pop culture legend highlights the potential of reality television. Your effusive praise for NPH was well-taken. By me. Because... wait for it... I WROTE THE POST. Read it. Are prepositional phrases too much for you? Make a decision, Producer. Are you "so glad" about the Susan Boyle "love" on the blog, or is nothing I say/post worthwhile? While you're deciding, I'll tell you what is becoming increasingly obvious: America need not look for its talent anywhere in your vicinity.

I'm done.
Read more ...

Tuesday, April 14, 2009

Idol Critics, Top 7

john walker | 9:29 PM | Be the first to comment!
From the Roller:
Sort of live-blogging (DVR style)
my initial impression of Allison's performance was that “if the judges praise the heck out of her, it’s a total scam.” This was not a good vocal. Listen to it. I beg of you… if you really thought this was solid, listen to it again. I am willing to stipulate that it possibly sounded better in the theater, but over the air… this was not good. It sounded like she had a sore throat, or she had a mouth full of something. Strange. Pitch problems… screwed up some of the words… just not good. Oh… and then the judges pimped the heck out of her, of course. Very annoying.

The comment Simon made about the girls was right. Allison is their only hope. But, based on her going first, along with what I thought was a very “blah” performance… I wouldn’t be surprised to see her in the bottom three (of course, I haven’t seen the others yet).

Anoop: pretty good. Had one phrase that was off pitch. Liked his mild rearranging of the song, and the bead of sweat on his upper lip. He was working it. Does Anoop remind you of an Indian Ray Romano? He totally does that for me. Simon was killing himself that he couldn’t trash the ‘noop-dogg.

Lambert: Tarantino wanted to make out with Adam, that much was clear. Adam’s outfit and his little jog was totally weird. He’s a real talent, though. Paula needs to sit down. Okay, the whole “never gonna die” was totally channeling Axl Rose. Why oh WHY will he not perform some of the classic late 80s/early 90s hair band stuff? He was ripped from this genre and planted here, 20 years later. [side note: Do you think he’s gay…and if that “comes out,” will it have an effect on his fan base of screaming ladies? Just a little discussion fodder]

Matt: Needs to wear a hat… I like him, but the head mole is a little bit distracting. Dude can seriously play piano, though. Wish he would have done without the background singers and the classical guitar. The middle portion of the song was a total mess. Again… Simon can hardly contain himself.

Commercial: I can’t wait to see “Glee,” and I suspect NPH feels this same way.

Danny: “Endless Love” is an interesting choice… with the harp even. Sure, this song is from Endless Love, but isn’t it from “Happy Gilmore,” too? Ice skating scene. He’s good. I had thought that his vocal style would have worn thin by now; but, in my mind, he’s still going strong. Sounds a lot like Eliot Yamin, and I can't decide if that's good or bad. Like Eliot, he’s a very good singer… but there really isn't (as Simon says) much exciting about Danny. But, I wouldn’t mind seeing what he could do as a church music director… that’s for sure.

Kris: (Simon not letting Randy back to his seat…I can’t stand when the judges just jerk around) LOVE the “Falling Slowly” choice! Love this song… love it. He’s putting a lot of confidence in the background singer… wow. This might be the best performance/song choice of the year. I’m serious. Not just his. THE best performance. This was incredible… smart… and done REALLY well.
OH MY GOSH – Randy, you are an IDIOT. I can’t believe he is hating on this… and I’m now hating the fact that we don’t get to hear from Simon so he could set everyone straight… and that they are cutting off critiques so soon. Kara sort of redeemed this, but focusing on Kris’ “obscure” choice of song (you know… he just picked an ACADEMY AWARD winning song on MOVIE night!) sort of overshadowed her point about this performance being excellent. This was a very unjust critique from Randy and I’m really hoping it doesn’t cost him. I haven’t exactly loved on Kris this season, but this was top notch. I think I’m actually going to rewind and watch again.

Lil: can’t say I love Tarantino for saying he’s a fan of Lil. Let’s be honest – she’s not as good as some similar artists Idol has had (Jennifer Hudson, Tamyra Gray, Melinda Doolittle, Mandisa) and would already be gone had any of those Idol contestants (all losers, eventually) been in this year’s competition. She’ll be bottom three for sure. I’m sure she could have a solid career as a backup singer. Paula is just showing off that she knows the author of the song. they are rushing the critiques again, and it’s annoying. As we’ve said… the talking back is never a good idea.

Recaps: Seriously, Allison was off pitch. Listen. Anoop was solid… Adam was creepy and weird, but good… Giraud was decent but bottom 3…. Danny was solid, if boring… Kris was awesome (but may go unappreciated)… Lil was blah (bottom 3).

Predict: Bottom 3 will be between Allison, Anoop, Giraud, and Lil. Hoping it’s Lil… but we might see Anoop or Matt exit.
Oh well.

From NPH: On this we agree: Kris Allen stole the show. Nothing else--not Lambert, not the two-by-two judging, not the tears of the Gokey--nothing else matters. He alone took a layered and nuanced song that required careful control and full-voiced expression and carried it. I actually got some chills, which probably have more to do with the immediate emotional associaton you make with the film (if you've seen it) when you hear that song; the characters and the narrative are deeply embedded in the chords and lyrics of those songs, and you recall all of their complexity and yearning after only a few notes. He channeled all that masterfully, and I applaud him.

This is exactly what Kris Allen needed to do: stand up there like a big boy and invite an audience into a moving rendition of a good song. No guitar, no grimaces and grins and vocal gimmicks. Just plant your feet and sing, son. Well done.

The idea of Kris sticking around for another week doesn't turn my stomach tonight.

I said that nothing else mattered, but I'll respond to your most ereudite commentary. Iraheta was bad. That much is undeniable. Why Paula and Simon raved about her I don't understand, although I don't suspect a Lambert-style conspiracy. The problem was that "I Don't Want To Miss A Thing" totally handcuffed her and prevented her from playing to her strength in the field, which is her rough-around-the-edges style. It was far too staid.

Anoop has figured out that all he can do well are romantic ballads, and so that's what he's sticking with. Randy and Kara said as much. That said, he does it well.

Gokey is Gokey. I'm not a Gokey fan, largely because he sounds to me like Taylor Hicks. "Endless Love?" Really? With a harp? Really? Could his appeal to the over-40 female demographic be any more overt?

Let's see . . . who else? Giraud was solid, but you get the feeling that you've seen the best of what he can do. There's no more there there anymore. Same thing with Lil, although to a much greater degree. She seems to have completely lost herself amidst all the judge-speak about "artistry" and arrangements. She doesn't even sing well anymore, let alone choose strong songs.

Now for the line of the night: "You dare to dance in the path of greatness." Paula actually said that to Lambert. Yes, but has he ever danced with the Devil in the pale moonlight? Abdul actual stood and "Whooped" for him. It's embarrasing. He's crazy good; there's no mistaking that. But he's good at something that is not that appealing to a mass pop music audience, right? His heavy metal scream is something to behold, but I can't take it week after week. I can't imagine it as part of "This is The Time of My Life" or "This Is My Now" or "For A Moment Like This." In other words, I can't hear Lambert singing the Idol victory song, because they, like the competition itself, is about pop music, and he is, at best, a tourist in a genre too small for him.

And to your question, I thought these pictures outed him already. Bill O'Reilly took up the question as to whether or not it will have an effect. Enjoy.


From NPH: I read about the results before I watched, but I watched anyway. Briefly (because there is so much in the world that is more important than this), it's a neat moment. Giraud is saved, the other six contestants mob him on stage, Cowell gets caught on camera smiling, and Kalamazoo's favorite son sheds tears of joy. It's nice.

But it is so painfully obvious that this is what the producers of Idol are after that the moment is very difficult to take seriously. It could have been Matt or Anoop or anyone else; somebody needed to be saved to justify this "judge's save" innovation so that Seacrest could proclaim "Idol history has been made!" For the sake, it seems, of making Idol history. And what is history to an eight year-old pop singing competition?

I've complained about it before, so I won't prolong it here. Just one thing more: can't the judges wait until after the ousted contestant is finished "singing for his life" before they deliberate with one another? Their decision obviously has nothing to do with said life-or-death performance, since they're not even watching it.

The only way this move has any significance is if Giraud survives next week as well. Being that it's disco week, that could well happen. Break out your Barry Gibb, Matty, and work it!
Read more ...

The Reason...

john walker | 3:09 PM | Be the first to comment!
From the Roller:

Friends, this is why we watch shows like American Idol.
Watch it. Love it. Understand.
peace
Read more ...

Album of the Year Nominee: "Fantasies" by Metric

john walker | 12:33 PM | Be the first to comment!
Shortly after moving to California in the summer of 2007, I subscribed to the Today's Top Tune podcast at KCRW.com and was promptly served a warm helping from Metric's long-delayed release of "Grow Up and Blow Away," their inaugural studio album from 2001. Two and a half years later, I'll take that record over most others any any given day. If I was stranded on an island . . . you get the idea: it's stupid good.

I've never gotten around to picking up their eventual rookie effort, 2003's "Old World Underground, Where Are You Now?" or the subsequent "Live It Out," and the likelyhood of that happening any time soon just got diminished, as the Candadians this week put out "Fantasies," their new new record, and any time I had laying around for extraneous activities has been taken up with playing and replaying it, grinning like an idiot.

I don't do music reviews. I'm simply a man in search of a genre. And I'm pretty sure that if Metric were a genre, I would major in it. I'm only two listens in, but totally, hopelessly, deliriously hooked. Watch the video for the album's first single, "Give Me Sympathy," below. And ponder this:

"Who'd you rather be: The Beatles or the Rolling Stones?"

Read more ...

Tuesday, April 7, 2009

IdolCritics, Top 8

john walker | 9:28 PM | Be the first to comment!
*Newest content at the bottom

From The Producer: I want to apologize to the people reading this blog as I've been MIA the last few weeks and I should thank NPH for his post yesterday regarding my movie project CURVE which Simon Hunter is going to direct. If anyone has opinions on who should star in CURVE I'm open to hearing your thoughts, but will absolutely take the credit if it really happens or will make fun of you mercilessly if you post some really bizarre or weird thought on potential cast.

Is there any way to post this blog in braille because Scott Macintyre needs to hear the truth ... YOU ARE TERRIBLE AND CANNOT SING!!!!!!! You're awkward, boring, and not talented. No one will tell this guy the truth because he is blind so I will ... please stop singing, please go home, and perhaps when you move home you find a local bar that will put up with your horrible attempts at karaoke. Furthermore if for some reason you make it through this week because Lil Rounds or Kris Allen are voted off the show instead of you would you please buy a pair of sunglasses for next week so I don't have to endure 4 minutes of you singing while you never blink during your entire performance. It creeps me out.

This weeks bottom three has to be Lil Rounds, Kris Allen, and Scott Macintyre. America please vote off Scott Macintyre because he has very little talent. At least give Lil Rounds one more night to hang herself since she has no original bone in her body. She's a copy cat and a bad one at that ... I know this stings NPH because you love Lil Rounds, but she's not good. Kris Allen has to be in the bottom three since I was texting during his song hoping it would end since it was one note the whole time he was performing.

Holding strong at the top Adam Lambert, Matt Giurad, and Danny Gokey. Lambert is good NPH and that is why he's going to win, but you might be on to something because the judges praise gets more and more over the top every week. They must have pre-booked all the venues for Lambert to perform after he wins the show so FOX is doing it's part to force feed us Lambert. I think it would be funny to watch America vote him off the show two weeks in a row because you know that first week the judges are going to pull him right back.

BTW ... WTF was going on with the freaky guy from FRINGE tonight? That guys is creepy and I think he raped and killed four people in the audience.

NPH - I killed you in the March Madness Bracket so pay your respect to me in front of your blogging/twittering/tweeting/and whatever else the hell you do all day when you're not helping kids or making Kool-Aid ... Phillips got hammered by his wife in the Bracket which isn't surprising since he's completely lost all ability to be a man. Oh and last ... does "Roller" write science text books for a living because that guys writing is BORING!!!!!!!!!!!!!!!!!!!

From NPH: Wow, Producer, the gloves are coming off. MacIntyre, Rounds, Roller: you're more merciless than Simon Cowell to these people. Beware, though: at least one of them gets a crack back at you on the blog.

I don't have much to add about tonight's performances. I'm really disappointed in most of it. There's a level of interest that's just not there, and I think that has as much to do with Fox and 19 Entertainment as it does with the contestants and their numbers. The ratings started to slip last year, so this year has a fourth judge and a new "save" option; the contestants aren't equally divided by gender. Whatever, it all reeks of over-effort. MSN had a solid article last week about the lies perpetuated by Idol, chief among them being the line that was repeated again tonight: "this is a singing competition." It's not. It's a television show. There are rules for singing competitions and rules for television shows, and they're not the same. Be that as it may, Idol used to be a pretty compelling television show. These last few weeks, though, I can't find much to get upset or excited about.

In the upset column, the absurd deference paid to Adam Lambert. I called this out four weeks ago, and it never really abated, but tonight it surged spectacularly. Cowell, looking like he was being poked in the back by a stick, ceremoniously gave Mr. Dress-Up's rendition of "Mad World" a standing ovation. It was good, but c'mon. That's just uncalled for. I smelled a rat before. Now I smell a possum.

If it were up to me, Gokey, Desai, Rounds, Allen, MacIntyre, and--yes--Giraud would all be sent packing, like, yesterday. They're all such a boring mish-mash of sameness. Giraud is the best of that bunch, but even he's a dressed-up hamster running in a wheel of blah. It's all so very boring.

Lambert is the truest performer left, and, like we've both pointed out, he seems to have his ticket for the finale already paid for. But the emerging gem for me is Iraheta. Kara (who's contributions to the show were wildly overestimated by yours truly) said tonight of Iraheta's ability, "Let's go make a record." Seriously. Her voice is powerful and genuine and unique. She doesn't throw away notes. She stands there and sings, and she's crazy good.

Pop music and pop culture are fun. Idol, at its best, is a guilty indulgence in that fun. This season is careening off course to an overly-serious bad ending. Give me Iraheta and Lambert. The rest of them just aren't any fun.

From the Roller:
Okay... thought I'd try to get a word in before the results show. Prediction, as referenced last week, is that Lil is in the bottom three. The only reason I think she won't be gone is that the brutality (accuracy) of the judges probably pushed some sympathy voting her way. I don't think, either, that racial issues won't be in play at some point this season. She is the only remaining African-American, and I don't know if there has ever been this early of an exit for the last contestant from that racial-ethic group. That could be interesting if she ends up going... OR if she ends up staying past her real shelf-life... which can't be more than a few episodes. She was bad last night... and it was probably one of the only times I've ever really understood what the judges always harp on about a 'karaoke' performance.

Producer - you are without feeling or tact, though not wholly devoid of insight. That works for you... fine. Truly, enjoy life as an ass.

As for Scott, it's time to go. There's a mediocre record selling 120,000 copies that is begging you to make it. Get to work on it.

Matt - better with the hat.

Lambert - good performance, but let's not lose that his 'brilliance' (Rocky) is heavily reliant on finding a song from 1982 that was remade into a #1 in the UK as recently as 2004 (Donnie Darko soundtrack), and appeared on the worldwide commercial for "Gears of War," one of the best-selling video games in recent years. He made a remake his "own." Way to go, David Cook... I mean, Chris Daughtry... I mean, Adam Lambert. Good company... good strategy... but, at this point, it's not genius. Reminds me that a few years ago, the runner-up Blake Lewis was actually remaking songs himself, which deserves some retroactive praise... and a frowny face that he has been a commercial failure. :( Oh well. Oh... and while I'm on Lambert, WHY in the heck does he get to go last in the 'money spot' so dang often. Totally unfair. To go right before voting opens has proven (historically) to be such a huge advantage. Do they really need to give this guy the Archuleta-esque favorable placements?

I wish the judges (especially Paula... she is a waste) would shut up enough so that the folks (like Matt last night) who did well toward the end of the show would get their due.

As for the rest. meh. nothing really of note, honestly. My wife has decided she "really likes" Iraheta... I can't say I'm sold yet. She a bit too affected for me in her style, but she is 16, and that's how musicians have been doing it in her lifetime.

I want some Sebastian Bach-Skid Row from Adam. On this, I demand satisfaction.
peace.

From NPH: Roller, stay off David Cook. Stay. Off. David. Cook.

Seriously.

The judges' demand for artistry with this bunch is a tactical mistake that's hurting the show. They're using the term as a sort of lipstick they want contestants to apply to pig-faced pop music. The better performances are coming, though, from contestants who tee up great songs as they were intended to be sung. Iraheta's "I Can't Make You Love Me" was tasty because it was simple. Kris Allen's "All She Wants To Do Is Dance" was goofy because that's a guitar song forced to do jazz band work. Why can't a good song done well be enough?

What Lambert is doing is not artistic; about that you are right. Like previous white male contestants who will go unnamed, he is making use of new versions of old songs to great effect. That works because a professional musician arranged it for a specific type of singer. And, to be fair, the Donnie Darko version of "Mad World" that Lambert reprised is no great vocal departure from the original, even if its instrumentation is gutted and tempo slowed. And he did that version the way that version is supposed to be done. And he crushed it.

I'm officially an Iraheta fan, though, and you're not talking me out of it.

My bottom three prediction tonight: Anoop, Scott, and Lil. Scott's going home, amid many tears and high fives.

From the Roller: David Cook is good... loved his remakes. For that matter, loved Daughtry's use of Live on Johnny Cash week, etc. They are among my all-time favorite contestants... partly because they're smart. But, the point was, it's not "artistry," it's a good strategy (one that's been used before). What they are actually talking about was what Blake Lewis was doing. That worked out well for him... um...

As for "Mad World," the Darko version is cool. And yes, not entirely a departure from the original (unlike Chris Cornell/David Cook's Billy Jean). But, getting rid of the synthesizer and the unmistakable 80s flavor is a good thing for AI contestants. As my wife said, "they should quit using keyboards and backup singers... they always sound cheesy and/or terrible."

Not opposed to Allison at all, just not a "favorite" of mine. yet.

No comment on the potential impact of race on voting, the impact, implications, or fallout? I agree with your prediction, btw.

Adam Lambert must sing "I Remember You" by Skid Row. On this I will not compromise.

From NPH: Keep holding out hope, my friend. It will soon be revealed that Adam Lambert is the love child of Sebastian Bach and Melissa Ethridge. It's poetry.

Just watched the results. My bottom three picks were spot-on, as was my prediction of Scott's ouster, complete with tears and high fives.

I'll comment quickly on the race thing. It's a non-issue. TV is TV, and the people who call in and vote do so because they love their Idol. You'd have to look at the numbers to actually make the case that race is having an effect: what's the race profile of the majority of Idol viewers? What about age? Maybe that's more decisive. Or geography? When Kristy Lee Cook sang "God Bless the USA" last year, it was a bald appeal to geography (granted, a racially homogeneous geography), and it worked like magic. Also, race could work in a contestant's favor if they're a minority. After all, all the cheery white contestants are splitting the votes of the cheery white viewers, whereas the African-American, Latin, and Indian contestants have entire demographics to themselves. Sort of how I beat out the two football players for Homecoming King in college: I carried the theater geeks while they split up the jocks. The geeks win again.

I'm ready to declare two things about Idol after tonight. First and most obviously, the show's highest utility is selling Fords, Coke, and iTunes. At its best, Idol makes you forget that. At its present worst, it's all too obvious, like when you have to watch not only another insufferable production of the contestants vamping for a car commercial but also a separate video about how they made the commercial they're about to make you watch. Gah! This is TV, and TV sells things, I know. But do they have to make it so obvious?

Secondly, the Judges Save is a total failure. Not only will it never be used, not only is it a novel gimmick aimed at injecting some drama into the Stax of Wax results shows, but it completely torpedoes what little shred of dignity the show used to possess. Used to be that the Idol who got voted off got to sing one last time as a sort of farewell, teary and embarrasing though it often was. Sometimes though, given that the performance didn't mean anything, it was better than the one that counted, and we all got to feel good about the accomplishment of an undiscovered talent.

Now the post-boot performance is supposed to mean something. Which means that as Scott MacIntyre sings what everyone knows is his swan song, the judges are acting like 6th graders, leaning over their desk to whisper to one another. And then they can't even get their act together enough to give a guy a decent send off. MacIntyre was nearly begging for his Idol life tonight while Simon, Kara, Paula, and Randy stared at each other and the audience heckled them. It's bad, bad television. It reduces a feel-good relationship into an akward let's-still-be-friends-but-occasionally-make-out talk. I am not a fan. It's shameful.



Read more ...
Twitter Delicious Facebook Digg Stumbleupon Favorites More

Search

Pages

Powered by Blogger.